Today the NanoGang discusses what it’s like when stories open up, and we have feedback from Ed on anonymity and the mob.
Word counts:
Dan 1681
Dede: 710
Kitty: 0
Ben: 0
Tori: 0
Cumulative:
Dan: 17697
Dede: 5432
Tori: 3798
Kitty: 3679
Ben: 1105
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Herbert has feedback on the deliberate use of acts in classic episodic television.
Resources Mentioned
Streets of San Francisco, 1972 (tv series)
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Allie asks: Any advice for ensuring good structure for ensemble casts? How does structure differ between ensemble stories and single protagonist stories?
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Simon asks: What are the main ways of structuring stories, and can you rate them?
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Elizabeth asks: “How do I write a story with multiple interweaving timelines and multiple protagonists – without losing or confusing my readers?”
Resources Mentioned
Game of Thrones by George R. R. Martin
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Roland asks: “What’s your take on when an author should use a prologue, and how it should relate to the rest of the book?”
Resources Mentioned:
Opening prologue to Ralph Bakshi’s Lord of the Rings
Opening prologue to Peter Jackson’s Lord of the Rings
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Brian asks: “My high school English teacher challenged us to find a story with a unique conflict – outside of the person v. person, person v. nature, person v. society, etc. conflict types we all get in class. None of us could. Can you – or the listeners?”
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Today, special guest Gail Carriger joins us to answer a question on from Andrew.
Andrew asks: “Can you do a deeper look into the heroine’s journey?”
Resources Mentioned
Sexual Personae by Camille Paglia
Homeric Hymn to Demeter
Isis and Osirus
Descent of the Goddess Ishtar into the Lower World
Wonder Woman
The Iliad
The Epic of Gilgamesh
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Caine asks: How do you stick to a genre structure, without spilling the beans?
Resources Mentioned:
Agatha Christie
Robert Bloch
Rear Window
Best American Mysteries of the 20th Century
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Robert asks: Do you do anything different when writing the climax of your book?
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