Brian asks: I noticed that I’m mostly writing description, so decided to write a dialog only chapter. What do you think of this approach?
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Brian asks: I noticed that I’m mostly writing description, so decided to write a dialog only chapter. What do you think of this approach?
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Roland asks: What’s the right balance between using dialog tags and replacing them with action? Are there genre conventions regarding this?
Resources Mentioned:
The Complete Book of Screenwriting, by J. Michael Straczynski
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Dave asks: Any tips on how to subtly reveal not-so-subtle character traits?
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DanDanTheArtMan asks: What’s the best way to do dialog tags?
Resources Mentioned:
Trouble in Paradise, Robert B. Parker
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Cheyenne asks: How do I know if I have too much dialog in my fiction, and how do I fix it?
Resources mentioned:
They’re Made Out of Meat (in the anthology “Bears Discover Fire and Other Stories”)
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