Simon asks: What are your thoughts on subscription models (akin to Netflix for films or Spotify for music) for book distribution?
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Simon asks: What are your thoughts on subscription models (akin to Netflix for films or Spotify for music) for book distribution?
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Today, I continue our series on deep characterization, discussing different aspects of personality.
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Feedback and reading recommendations from listeners
Resources Mentioned
Wikihistory by Desmond Warzel
Miernik Dossier by Charles McCarry
Anderson Tapes by Lawrence Sanders, and the movie
The Guernsey Literary and Potato Peel Pie Society by
Mary Ann Shaffer and Annie Barrows
The Martian, by Andy Weir
Letters to Zell by Camille Griep
The Secret Name by Kendra Temples
Illuminae by Annie Kaufman
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Caine asks: Can you talk a little about the “adder inner” style of writers?
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Chris asks: If your novel is tied to a historical event, is better to release on the anniversary of the event, or a few months ahead to generate reviews/buzz?
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Ian asks: Do you have any tips on developing a “clean copy” mindset?
Resources Mentioned:
Hadrian’s Flight by J. Daniel Sawyer
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JR: Do you have any tips on writing epistolary novel set in the modern age?
Resources Mentioned:
Dracula by Bram Stoker
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Robert asks: Is there any value to writers in analyzing language usage such as word frequency or average sentence length in their own work?
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Ian asks: John Steinbeck structured The Grapes of Wrath like a symphony. Are there other examples of works inspired by or structured like musical pieces?
Resources Mentioned:
The Grapes of Wrath by John Steinbeck
The Gap Cycle by Stephen R. Donaldson
Wagner: Der Ring des Nibelungen
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Robert asks: If you’re a hybrid author, how do you decide whether to self-publish a particular book/story, or send it to a traditional publisher?
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